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SONY ECM-ALST1 STEREO MICROPHONE (ALPHA)

Web Code: 595SON095  •  Mfr Code: ECMALST1
SONY ECM-ALST1 STEREO MICROPHONE (ALPHA)
Only $149.99 CAD
SONY ECM-ALST1 STEREO MICROPHONE (ALPHA) is rated 4.5 out of 5 by 2.
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Product Highlights
  • Electret Condenser Microphone
  • For Alpha Camera
  • Auto-lock Accessory Shoe
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  • Electret Condenser Microphone
  • For Alpha Camera
  • Auto-lock Accessory Shoe
  • Microphone Jack
  • The stereo (Middle-Side) system enables natural sound pick-up, delivering a stereo sound image with superb clarity
  • The pick up pattern (affecting soundstage width) can be set to 90 degrees or 120 degrees according to the sound source
  • During movie recording, operation noises or beeps from the camera or lens may be recorded
  • You can prevent noise from the lens by using in manual focus mode
  • Dimensions (Approx.): 2 7/8 x 2 1/4 x 1 1/8 in (72.5 x 55.5 x 27mm)
  • Weight (Approx.): 1.9 oz ( 52g)
 
 
Rated 5 out of 5 by from Great Compact Stereo Microphone! This Mic was purchased a year ago to use with my NEX7 Camera and equipement... It has been around the World, and used for major recording events... It works very well, clear & crisp sound... Now I am using it also with my new Alpha 99, and it workes even better... For a very small compact mic to use when travelling, this is just the ticket!
Date published: 2013-06-13
Rated 4 out of 5 by from "Good, not great" "The ECM-ALST1 should fill most midrange DSLR videographers' needs, but may not be enough for prosumers. Sony tried to fit too much into too small a package for the whole thing to work the microphone delivers extremely high fidelity sound on a wide range of frequencies at both 90_ and 120_ up to around three feet, and the volume of the recording, as well as the quality, reaches an unacceptable level at around 10 feet. I know what many may think, ""well of course the volume's lower, you're farther away from your source!"" While that may be true, this mic should still be able to capture sounds much louder at 10' than it does. The 90_ mode is as close as this mic gets to a shotgun, and yet it seems to omit what it's directly pointed at, rather capturing the sounds directly around it. In comparison, I tried out a R?de VideoMic (regular, not Pro) for the first time three days ago, without yet buying. It seems to perform much, much better in the same scenarios. If you want better bang for your buck, spend the extra 50$ and get something at least like R?de's mic."
Date published: 2011-12-25
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