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CANON EF 14MM F2.8 L II USM

Web Code: 010CAN100  •  Mfr Code: 2045B002
CANON EF 14MM F2.8 L II USM
Was: $3,070.07 CAD
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CANON EF 14MM F2.8 L II USM is rated 4.0 out of 5 by 12.
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Product Highlights
  • Ultra-Wide Angle Lens
  • Built-in Lens Hood
  • Dust-proof
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  • Ultra-Wide Angle Lens
  • Built-in Lens Hood
  • Dust-proof
  • Moisture-proof
  • Filter Size - Gel filter holder at rear of lens
  • Rear focusing system
  • High-speed CPU, and powerful Ring-type USM
  • Focal Length & Maximum Aperture - 14mm f/2.8
  • Lens Construction - 14 elements in 11 groups
  • Diagonal Angle of View - 114° (on full-frame cameras)
  • Focus Adjustment - AF with full-time manual
  • Closest Focusing Distance - 7.9 in. / 0.2m
  • Max. Diameter x Length - 3.2 in. x 3.7 in. / 80mm x 94mm
  • Weight - 22.8 oz./645g (lens only)
 
 

Lens Performance

Lens Type: Digital SLR Lenses
Focal Length: 14mm
Maximum Aperture: f/2.8
Aperture (Max. & Min.): Max: f/2.8, Min: f/22
Camera Mount Type: Canon EF
Camera Format: Full-Frame
Angle of View: 114 degrees
Minimum Focus Distance: 0.20m
Maximum Close-Up Magnification: 0.15x
Groups/Elements: 11 Groups/14 Elements
Diaphragm Blades: 6

Lens Features

Image Stabilization: No
Autofocus: Yes
Tripod Collar: No

Physical

Dimensions (DxL): 3.2x3.7"
Weight: 645g

Additional Information

Warranty: 1 year manufacturer warranty
 
 
Rated 3 out of 5 by from Disappointed I rented this lens a couple of times before deciding to make the purchase. When I received the lens, I spent the time to adjust the microfocus on my 5D Mk II - and then I took the lens to Canyonlands National Park in Utah for some serious landscape work. I shot with it mounted on a tripod, mirror lockup, remote shutter release. The resulting images are sharp in the center, and horribly soft on the edges. Thinking the issue was that I was shooting at f/8, I did some experimenting and shot at f/22, f/16, f/8, and f/4. The only shots that come close to "good" focus were taken at f/22. Perhaps I have a bad copy of this lens - but so far it's a major disappointment.
Date published: 2011-09-12
Rated 5 out of 5 by from Big bucks but worth it For architectural and interior shooters with full frame bodies this lens will be a staple right next to the EF 15 2.8. Much improved for digital bodies in the corners with less vignetting and chromatic abberation. Heavy and easy to damage though not usually a problem on a tripod. Really expensive upgrade for what you get IMO as the old EF 14 2.8L USM was O.K. on film but really not a particularly great lens on a digial body. For digital you almost have to have the mkII version unless you are willing to carefully correct the chromatic abberations in LR or CS4. Pricey but if you have to shoot wide there is nothing else to compete with it for a full frame Canon digital body.
Date published: 2009-08-08
Rated 5 out of 5 by from Sharpest Image Ever I purchased this lens in 2008 based on Canon's reputation and my personal experience with a wide range of canon fixed focal lenses that I had purchased over the years. The pictures I took with this lens were so sharp, it changed my understanding of lenses altogether. Case in point, I took a picture of the night sky in Canada on oct 21, 2011. the settings were f/2.8, 15 seconds, ISO 2000. I noticed a cluster of stars at the edge of the image. When I zoomed in it turned out to be the Pleiades constellation. I could actually see all seven sisters. I am so happy with this lens, the next one will be the 17mm f/4L TS-E.
Date published: 2012-09-10
Rated 4 out of 5 by from Fantastic viewing angle I really want to give this lens 5 stars, but it's corner sharpness is just not good enough for a perfect score. It's not as sharp as some other Canon prime lenses, but it's more difficult to make a super sharp lens at such a wide angle. It's still sharper than the 16-35mm L. Everything else about this lens as fantastic. It's one of my favorite lenses. I just love the viewing angle, it's superb. It's around 100-110 degrees across, and has little to no distortion. This means if you shoot with the camera level, a horizontal line will be perfectly straight. Shoot perpendicular to a horizontal line, and it will be straight. You can show and entire room from a corner, plus a little of each wall you are standing near. If you are a fan of wide angle this is a must try lens.
Date published: 2016-12-09
Rated 5 out of 5 by from the best for landscape and architecture I got more and more unsatisfied with a 12-24mm third party lens (strong distortions, blurred edge) on my 5D mark ii, so I finally decided to upgrade to this extraordinary lens. Very crisp images, limited distortions, and a remarkable fast 2.8 makes it a perfect landscape lens on the Canon 5D mark ii. I used it also on a party, well, the results where really cool. The only annoying thing is the high pricetag, but still, it is worse every cent.
Date published: 2009-04-30
Rated 5 out of 5 by from Best colors for landscapes This lens is sharp and distortion free. My favorite characteristic is the great color rendition possible when using this lens. Stunning landscapes and dramatic building shots are the norm.
Date published: 2010-07-09
Rated 2 out of 5 by from poor image quality I have been using Canon for a long time now. I thought the Couldn't do a bad product based on reputation and price. This is the most expensive wide lens they offer. I just bought it. What a mistake! I couldn't believe the results so I sent the lens to CPS (Canon Pro Services) to repair. It came back still couldn't believe the result of the pics. I sent the lens along with my 5D II to repair 3 more times (as they request to test the camera). I spoke to customer care rep., supervisors, 1 tech and finally the "ambassador". So finally I believe it. The lens is sharp only in the very center of the frame (circle where you focus) the rest of the image is bury and have chromatic aberration at the point it can be used. I had to star using my old 15-30 3.5 not canon lens. I asked if I could return it since I can use it. It was not possible. Just go to an store and test it and down load it to your computer. Very disappointed.
Date published: 2012-06-09
Rated 5 out of 5 by from Stunning A stunning wide angle landscape lens on APS-C. APS-C reviews on this lens are rare. I'm using this lens on the new 80D. 22.5mm after the crop factor is perfect for wide landscape work. Images are edge to edge sharp from f/8 to f/16 and barrel distortion is minimal. Clarity, contrast, and color is excellent. These qualities are exactly what you want for pro landscape photography. If you're serious about wide angle landscape photography on APS-C, this is the right tool for the job. Don't believe the negative comments on technical reviews claiming that this lens is not worth the money over the EF-S lens options. The only advantage to the EF-S is if you need ultra-wide. This lens is probably overkill for general consumer use. The price is a bit steep. It really comes down to what you're trying to achieve and what you expect. You get what you pay for. If you need it, you need it..
Date published: 2016-08-05
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