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FUJIFILM's GFX mirrorless digital camera system, has achieved the highest level of image quality in the world of professional photography. The system continues its evolution with the GFX 100, which features a 55mm diagonal length1 large format CMOS sensor with over 100 million pixels, making this the highest class resolution mirrorless digital camera ever produced. The GFX100 is the coming together of FUJIFILM's unique blend of imaging and optical technologies and heralds the future of photography for the years to come.
Despite featuring a sensor which is 1.7 times larger than a 35mm full frame sensor, the GFX100's body is equivalent to that of a flagship 35mm full frame DSLR camera in terms of dimensions (156.2mm (W) x 163.6mm (H) x 102.9mm (D), measuring 48.9mm at the thinnest part) and weight (approx. 1400g including two batteries, memory card and EVF). Made of magnesium alloy, the GFX 100 is lightweight and very robust.
The camera body is weather sealed at 95 points (including the electronic viewfinder) helping it withstand extreme conditions of dust, moisture and low temperatures. This means that the camera can comfortably handle a wide variety of shooting situations, whether you're shooting stills or video. The GFX100 is perfectly suited for use both in a studio and outdoors in harsher environments.
The GFX100 camera body has a built in vertical grip, it is the first FUJIFILM camera to have this integrated design. This allows the camera to be thinner and lighter than before while still housing a large sensor, shutter mechanism, IBIS and two batteries. This balanced design of the camera allows the user to instantly switch from landscape to portrait orientation.
Lightweight and highly robust, the magnesium alloy body is coated with premium colours and textures. The design and handling have been optimized based on feedback from professional photographers working in the fields of landscape, commercial and fashion portrait photography. The body has been designed down to the last detail, including the size and layout of buttons, dial designs, materials, and sounds. There are eight customizable buttons in the horizontal position and another seven in the vertical position.
The GFX Series' use of 55mm diagonal length large format sensor (43.8 x 32.9mm) has paved the way for ultra high image resolution. The GFX100 delivers smooth gradation and image sharpness with the high resolution sensor. This is made possible thanks to FUJIFILM's expertise in medium format which has been gained since the days of film cameras. Experience the astonishing photographic potential possible with the 100MP+ sensor.
The GFX100 uses the X-Processor 4, FUJIFILM's latest image processing engine to quickly optimize the data from the high resolution image sensor. Despite the massive amount of data involved, the processor handles it at a speed. You can also apply the Film Simulation modes to 100MP+ image data to achieve FUJIFILM's unique styles of colour and tone reproduction.
The G Mount, was designed to accommodate GF lenses with 100MP+ sensors in mind. Taking maximum advantage of the mirrorless system, the G Mount has a short flange focal distance which contributes to the camera's compact form and mirrors GF lenses' design and advanced performance. When combined with a large CMOS sensor, the system prevents peripheral light fall-off to achieve stunning edge to edge sharpness.
The GFX100 allows users to capture images in various formats and image qualities. This includes uncompressed / lossless compressed RAW and JPEG formats of varying image sizes, aspect ratios and compression ratios. Its in camera RAW processing gives the option of saving 8bit or 10bit colour depth images as 8bit or 16bit TIFF files. When using a 35mm format lens via a mount adapter, the camera can record images in a 36.0mmx24.0mm frame at the centre (60.8M) as JPEG or TIFF (in camera RAW processing) formats.
The GFX focal plane shutter is specifically designed for 55mm diagonal length large format mirrorless digital cameras. With a durability performance over 150,000 shutter actuations 1, it combines an electronic front curtain shutter with an exceptionally quiet mechanical shutter which has a maximum speed of 1/4000sec. The shutter system has been redesigned for the GFX100 to support the new large format CMOS sensor with continuous shooting of up to 5.0fps. You can select from three types of shutters, including an electronic shutter, according to your shooting conditions.
The GFX100 is the first mirrorless digital camera equipped with an in-body image stabilization (IBIS) mechanism for a large format sensor in GFX series. It provides precision control for the high definition images produced by the camera's large format sensor, which is approx. 1.7 times the size of a 35mm format sensor. This feature revolutionizes the large format camera system, unleashing its advanced performance with greater flexibility in a wider variety of shooting conditions.
Specification: three-axis accelerometer, three-axis gyro sensor, dedicated dual processor
Image stabilizer mechanism: Image sensor shift mechanism with 5-axis compensation
Compensation Effect: 5.5 stops 2
The GFX100's shutter has a shock absorption mechanism ideal for landscape photography, studio shooting and commercial photography, all of which are unforgiving to even the slightest of camera shakes. The shutter unit is suspended at the top, bottom, right and left and is able to absorb subtle shakes caused when the mechanical shutter is used. It also enables quicker shutter response, which is useful in a variety of shooting situations.
The in body image stabilization (IBIS) and the shutter's shock absorbing structure are complemented by the grip design, which is shaped to provide added stability for hand held shooting in various conditions. It allows you to hold the camera firm and there is a better balance even when a large lens is mounted, so that you can focus on the composition of your shake free images.
The GFX100 inherits GFX 50S's popular detachable EVF system that can be adjusted to various angles when using the EVF Tilting Adapter EVF-TL1. The world's highest class resolution 5.76 million dot OEL panel has been used to develop the GFX100's high definition EVF, with approx. 100% coverage. Resolution priority, frame rate priority and AF priority can be selected in boost mode for live view depending on the subject.
The rear panel features a sub monitor, which can be configured to display various data previously displayed on the main LCD monitor. Minimizing the amount of data that has to be displayed on the main LCD monitor makes it easy to check the overall framing and concentrate on the composition. You can choose to display the exposure compensation gauge and histogram on the sub monitor to enable exposure adjustment whilst checking the exposure level.
The top panel features a clear, 1.8-inch B/W sub LCD monitor that displays the main shooting settings such as shutter speed, aperture, ISO sensitivity and exposure compensation, as well as function icons, remaining number of frames (stills) and remaining filming time (video). This display can be configured according to what information you want to be displayed. When you switch between stills and video modes, all the settings shown on this sub monitor also change accordingly, ensuring that all relevant data is available at hand.
The rear panel features the main 3.2-inch 2.36-million dot LCD monitor that has 100% coverage and tilts in three directions, 90 degrees upward, 45 degrees downward and 60 degrees to the right. The use of capacitive touchscreen panel allows easy framing and shooting in high and low angles, which can be difficult when using the EVF.
The combination of the newly developed image sensor and the fourth generation "X-Processor 4" processing engine means the camera also supports "16-bit RAW" mode, requested by many professional photographers. The GFX100 also supports 16-bit TIFF in camera file.
The combination of the new image sensor with high speed readout and the high performance fourth generation “X-Processor 4” engine has given the camera the ability to record 4K30p video (10bit 4:2:2 externally and 10bit 4:2:0 internally).
The full potential of the 55mm diagonal length large format sensor in the GFX can be seen when shooting both stills and in video. The combination of the latest sensor and the “X-Processor 4” enables support for 4K/30P video. The camera's sensor, which is larger than that of most cinema cameras, produces a shallow depth of field, enhanced tonal gradient in 10-bit output, and greater ISO sensitivity. The large format size produces video footage with more detailed textures while reproducing three dimensional definition. You are able to capture the atmosphere of the scene unlike anything before. All the Film Simulation modes can be applied to video as well, including “Eterna,” which replicates the look of FUJIFILM's cinema film of the same name. Furthermore, the camera supports the digital cinema aspect ratio (17:9), compression codecs such as H.265 and H.264, and a bit rate of up to 400Mbps.
With its large format sensor, the GFX100 demonstrates its appeal in video recording. It uses full sensor width to record video in 4K digital cinema format in the aspect ratios of 16:9 / 17:9. The sensor area used is greater than that of cinema cameras that support a large format sensor. You can use GF lenses and adaptors to achieve a variety of videographic expressions that only large sensors can deliver, and record them in high-resolution 4K video.
The high speed image processing engine, X-Processor 4, can read and output condensed video data, feeding 4K/30P 4:2:2 10bit data to the HDMI port and recording 4K/30P 4:2:0 10bit data to an SD card (when H.265 is selected) up to 400Mbps 3. You can also choose All-Intra 4 / Long-GOP, etc. The processor's enhanced capability means video footage can be viewed on the camera's LCD screen as well as on an external monitor whilst you film, while feeding uncompressed data straight to a recorder.
The GFX100 is capable of recording F-Log, characterized by a gamma curve with a wide dynamic range, and capturing video in HLG (Hybrid Log Gamma), one of the formats defined in the ITU-R BT.2100 international standards. Coupled with color information attained in 10-bit colour depth, the camera records premium quality footage faithfully depicting scenes even with a large brightness range or subjects with high colour saturation.
The GFX 100 is the first GFX that features a phase detection AF system on 55mm diagonal length large format sensor. The GFX100 has phase detection pixels across the entire sensor and using the X-Processor 4 engine coupled with the latest AF algorithm, is able to focus on a subject at high speed with accuracy even when the subject is away from the centre of the frame or in low light.
The GFX100 has six AF modes that cater for all types of subject movement. The AF-S locks focus while the AF-C focuses continuously on a moving subject. These can be combined with focus area options, namely “Single Point,” “Zone” and “Wide / Tracking.” You can also keep six custom settings for AF-C to adjust “Tracking Sensitivity”, “Speed Tracking Sensitivity” and “Zone Area Switching” according to the characteristics of subject movement.
The GFX100 is equipped with a feather touch shutter button that responds to delicate shutter release actions. The button reacts to the subtlest movements of the finger when gripping the camera body firmly in both portrait and landscape orientations. The use of the electronic front curtain shutter minimizes release time lag to give even greater confidence in shutter operation.
Using the new sensor in conjunction with the X-Processor 4, gives an advanced level of face tracking performance. The photographer has the ability to identify and capture even easier than before, difficult subjects like a person inside profile. In the Eye AF mode, you can even specify which of the subject's eyes you want the camera to prioritize. This is particularly useful in portraiture, which commands focusing accuracy with a very shallow depth of field. The touchscreen panel or Focus Lever can be used to select which of a crowd of faces detected you want the camera to track, focus and adjust exposure to.
Continuous shooting is available in two frame rates, i.e. high speed burst at 5.0fps (CH) and low speed burst at 2.0fps, which can be checked in Live View. When the AF-C is selected, the GFX100 combines it with various phase detection AF modes and face detection to shoot in bursts while tracking and focusing on a moving subject.
1Diagonal length of the 43.8mm x 32.9mm sensor is approx. 55mm.
2 Based on CIPA standard. Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
3 Available at 4K/29.97P, 25P, 24P or 23.98P. Requires an SD card with the video speed class of V60 or above to record at the bit rate of 400Mbps.
4 Available at 4K/29.97P, 25P, 24P, 23.98P, and FHD/59.94P, 50P, 29.97P, 25P, 24P, 23.98P when H.265/HEVC is selected. Not compatible with H.264.
|Camera Type:||Digital Medium Format Mirrorless|
|Lens Mount:||FUJIFILM G|
|Camera Format:||Medium Format|
|Sensor Type/Size:||43.8 x 32.9mm Bayer array|
|File Formats:||Still: JPEG, RAW, TIFF (In-camera Raw Conversion Only); Movie: MOV|
|Dust Reduction System:||Yes|
|Memory Card Type:||SD/SDHC/SDXC|
|Image Stabilization:||Image sensor shift mechanism with 5-axis compensation|
|ISO Sensitivity:||100-12800 (Movie: 100-12800); Extended: 50 / 25600 / 51200 / 102400 (Movie: 25600)|
|Shutter:||Bulb mode (up to 60 min), TIME-60min. - 1/16000sec.|
|Remote Control:||Remote Release RR-100 (Sold Separately)|
|Metering Method:||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure Modes:||Program AE, Aperture Priority AE, Shutter Speed Priority AE, Manual|
|White Balance Modes:||Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K to 10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater|
|Burst Rate:||2.0 to 5.0 fps|
|Continuous Shooting:||2.0 to 5.0 fps|
|Start-Up Time:||0.4 sec.|
|Self Timer:||2 sec. , 10 sec.|
|In-Camera Image Editing:||Yes|
|Connectivity:||HDMI micro connector D, USB C 3.2, 3.5mm stereo mini connector (Microphone) / 3.5mm stereo mini connector (Headphone) / 2.5mm Remote Release Connector, DC IN 15V Connecter *Compatible with AC-15V (Optional) Only / Hot shoe / Synchronized terminal|
|Viewfinder Type:||OLED Colour Viewfinder|
|Viewfinder Size:||0.5 in|
|Viewfinder Magnification:||0.86x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1|
|Diopter Adjustment:||-4.0 to +2m-1|
|Display Screen Type:||Rear Screen Tilting Touch LCD|
|Video Recording:||MPEG-4 AVC / H.264|
|Video Resolution:||Up to DCI4K|
|File Size:||DCI4K (4096 x 2160), 4K (3840 x 2160), Full HD (2048 x 1080), Full HD (1920 x 1080)|
|Aspect Ratio:||4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6|
|Continuous Shooting Time:||Up to 80 minutes at Full HD (2048 x 1080)|
|Audio Recording:||Audio : Linear PCM / Stereo sound 48KHz sampling|
|Flash Modes:||TTL (Flash Auto / Standard / Slow Sync.) / Manual / Multi / Off|
|Max Sync Speed:||1/125sec. or slower|
|Battery:||NP-T125 Li-ion Battery x 2|
|Operating/Storage Temperature:||-10 to +40 degrees C (+14 to +104 degrees F)|
|Weight:||1400 g (49.4 oz.)|
|Dimensions (WxHxD):||156.2 x 163.6 x 102.9mm (6.15 x 6.44 x 4.05 in.), (Minimum Depth : 48.9 mm / 1.93 in.)|
|Aperture (Max. & Min.):||None|
|Camera Mount Type:||None|
|Angle of View:||None|
|Minimum Focus Distance:||None|
|Maximum Close-Up Magnification:||None|